Infinite tonal range.

Barbora in her Italian house with my Leica M10 Monochrom, August 2025.
1 more picture of these 2 beauties together today on my regular social media feed.

This picture was shot with the Fujifilm GFX 50S II + "Martin" (the Zeiss T* 1,4/85mm Planar ZF named after the Patron that sponsored part of the purchase).
I was telling you the highest quality of both these new cameras, the one I was using to shoot and the one I was using as prop, are making my work slower, but they are also changing my approach to editing.
The files coming from both are much richer of informations, and you can really push and pull any parameter without having the image falling into pieces, or introducing digital artifacts.
It is not me maintaining the photos darker, but it the sheer amount of informations that sometimes require to preserve more tonalities intact.
Somehow there are many more correct interpretations of the same photo with these cameras, and the photographer has a wider range of interpretations to choose from inside the same file.

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